I could not find the designer of the spread, however this was published in TIME magazine. The design was even awarded the “Award of Excellence” for this particular design.The main caption in is Sans Serif while the text and subheading are in Oldstyle. Sans Serif can be detected because there are no serifs on the characters there. Old style is detected in the subtitle and in the body of the text by the thin serifs. The only exception is the “I” that begins the body paragraph. These two typefaces contrast because they do not share the same types of serifs. The contrast is even highlighted by the fact that they use two different typefaces in the opening word of the body paragraph. As I have drawn over you can see that in that bubble the typeface changes back and forth twice to highlight the contrast. The photographer here used two elements of photograph. Both rule of thirds and leading lines were used. You can see the leading line begins as the top of the text draws a straight line to the eyes of the man in the photo. You’ll also find that the subjects eyes are both in the thirds.
Each of these three photos that I took would fit in the same layout. Each one represents the “Out of the Picture” idea as some of them only show partial faces and one cuts out some of the background. They follow the same rules of photography as there are leading lines with the subjects eyes as well as the backgrounds. I also tried to use rule of thirds to get each of the subject in one of the thirds.